Columbia Masterworks

Sub-label of Columbia

100 releases 12 sub-labels 1936–2019

About

Columbia Masterworks, series and later label, was inaugurated by the in October 1924 when it released the first eight Masterworks album sets as the 'Columbia Fine-Art Series of Musical Masterworks'. The abbreviated 'Columbia Masterworks Series' saw some usage in the 1929 catalog and took the catalog cover in early 1933. Columbia Masterworks label began after Columbia's 1939 acquisition by CBS and continued until 1980. After that, it was separated from the Columbia label and renamed . Please note that starting around 1958 possibly into the early 1970s, LPs on this label list two catalog numbers on the sleeve: an ML number (for the mono recording) and an MS number (for the stereo recording). Check the physical record to determine the version of your copy. Columbia Masterworks was renamed Records in 1980 and removed from the Columbia label. In 1990 it was again renamed Records because of the sale of CBS Records to the Sony Corporation. The Masterworks brand is currently used on Masterworks Broadway Records as well as Sony Masterworks, Sony being the parent label for both. 78 RPM album sets 78 RPM album sets began in November 1924, as the “Columbia Fine-Art Series of Musical Masterworks.” Each set contained three or more records; two-record sets did not come into being until 1935, and then they received their own series (prefixed X-). Although a few two-record sets were issued as part of the main series (Set 210 being the first), most of these later were reissued as X- sets. Until about 1935, all Columbia Masterworks sets were of three records or more. There were, of course, many works issued on two records but they were not graced with album sets until 1935, when the first 40 or so X- sets were compiled from existing two-record groupings in the Columbia back catalogue. In 1935-36 a number of two-record sets were issued in the regular Masterworks Set series, but these all were subsequently given numbers in the X- series (see X-45 through X-59). In 1941, after CBS acquired Columbia, many X- sets were reissued as automatic sequence sets with an MX- prefix. Later, many sets were issued as X- and MX- sets simultaneously. 78 RPM album sets may have multiple catalog numbers on various parts of the release. As always, please try to enter all of the variations, along with release notes explaining what number appears where. The first listed are the regular manual sequence numbers. Records with "AM" or "MM" numbering were configured for different types of record changers. AM (“slide automatic” sequence) has the sides in sequence across the front of each record (e.g. A = side 1, C = side 2, E = side 3), then continuing with the back of each record from the first to the last (e.g. B = side #4, D = side #5, F = side #6). MM (“drop automatic”) has the continuation from the last to the first (e.g. F = side 4, D = side 5, B = side 6). the second are for sets in “slide automatic” sequence which carried an AM- prefix. Beginning with M-365, manual sets officially carried an M- prefix - one of the first evident changes of the new CBS ownership. Starting with M-406, drop automatic (MM-) sequence sets were issued simultaneously with the manual M- and slide automatic AM- sets. After set M-1000, most sets were issued only as 45 rpm sets (A- prefix); although several are known to have been issued on 78 rpm. Overview of US catalogue prefixes: • ML [1948-1967] Regular Columbia Masterworks mono releases (ML 4000 - ML 6999) used for Classical and closely related releases. • MS [1958-1970] Regular Columbia Masterworks stereo releases (MS 6000 - MS 7999) used for Classical and closely related releases. For the MS series, the last two digits of the number match those of the corresponding mono release, but there is a difference of 600 between those two. So MS 6476 is the stereo release for ML 5876. • KL [1955-1968] Regular Columbia Masterworks mono releases (KL 4000 - KL 6999) used for Original Cast, Original Soundtrack and few Classical releases. • KOL [1959-1968] Premium Columbia Masterworks mono releases (KOL 5000 - KOL 8000) this was probably a premium series. • KOS [1958-1968] Regular Columbia Masterworks stereo releases (KOS 5000 - KOS 8000) this was probably a premium series. • KS [1958-1968] Regular Columbia Masterworks stereo releases (KS 4000 - KS 6999) used for Original Cast, Original Soundtrack and few Classical releases. • OL [1955-1968] Regular Columbia Masterworks mono releases used for Original Cast and Original Soundtrack releases. • OS [1958-1968] Regular Columbia Masterworks stereo releases used for Original Cast and Original Soundtrack releases. For the OS series, the last two digits of the number match those of the corresponding mono release, but there is a difference of -3600 between those two. So OS 3180 is the stereo release for OL 6780. • BOS [1967-1969] Premium Columbia Masterworks stereo releases those releases had a higher list price than regular albums in the OS-Series. • M [1970-1980] Regular Columbia Masterworks M-30000 series used for Classical and closely related releases. • MG [1970-1980] Regular Columbia Masterworks MG-30000 2LP-Sets the letter G stands for a double album. Alternatively the prefix M2 was used for a 2LP-Set, and M3, M4 etc. for box sets with more albums. • MQ [1972-1974] Columbia Masterworks Quadraphonic MQ-30000 series • S [1970-1980] Regular Columbia Masterworks S-30000 series used for Original Cast and Original Soundtrack releases.

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Top Columbia Masterworks Releases

Rattle That Lock
Rattle That Lock
David Gilmour
2015
The Graduate: The Original Sound Track Recording
The Graduate: The Original Sound Track Recording
Paul Simon; Simon & Garfunkel; David Grusin
1968
The Goldberg Variations
The Goldberg Variations
Bach; Glenn Gould
1956
Switched‐On Bach
Switched‐On Bach
Bach; Wendy Carlos
1968
Moondog
Moondog
1969
Classical Barbra
Classical Barbra
Barbra Streisand
1976
A Little Night Music
Stephen Sondheim
1973
Funny Girl
Jule Styne
1968
West Side Story
Leonard Bernstein & Stephen Sondheim
1961
In C
In C
Terry Riley; Terry Riley, Members of the Center of the Creative and Performing Arts in the State University of New York at Buffalo
1968
A Chorus Line
Marvin Hamlisch
1975
West Side Story
Leonard Bernstein & Stephen Sondheim
1957
I Walk the Line: Original Soundtrack Recording
Johnny Cash accompanied by The Tennessee Three
1970
Jack Johnson
Jack Johnson
Miles Davis
1971
M*A*S*H
Johnny Mandel
1970
Toccatas, Vol. 2
Johann Sebastian Bach; Glenn Gould
1980
Ellington Uptown
Ellington Uptown
Duke Ellington and His Orchestra
1953
The Lion in Winter
John Barry
1968
Annie
Charles Strouse
1977
My Fair Lady
My Fair Lady
Lerner & Loewe
1959
The Six Sonatas for Violin and Harpsichord
Bach; Jaime Laredo, Glenn Gould
1976
Toccatas, Vol. 1
Johann Sebastian Bach; Glenn Gould
1979
Switched‐On Bach II
Bach; Wendy Carlos
1973
Preludes, Fughettas and Fugues
Preludes, Fughettas and Fugues
Johann Sebastian Bach; Glenn Gould
1980
Rhapsody in Blue / An American in Paris
Rhapsody in Blue / An American in Paris
George Gershwin; Columbia Symphony Orchestra, New York Philharmonic, Leonard Bernstein
1959
Anyone Can Whistle
Stephen Sondheim
1964
Prokofiev: Peter and the Wolf / Tchaikovsky: Nutcracker Suite
New York Philharmonic, Leonard Bernstein
1960
The Noel Coward Album
Noël Coward
1979
Beethoven: Piano Concerto no. 1 in C major, op. 15 / Bach: Keyboard Concerto no. 5 in F minor
Beethoven: Piano Concerto no. 1 in C major, op. 15 / Bach: Keyboard Concerto no. 5 in F minor
Beethoven, Bach; Glenn Gould, Columbia Symphony Orchestra, Vladimir Golschmann
1958
Songs of Charles Trenet
Charles Trenet
1950
Three Keyboard Concertos
Bach; Glenn Gould, Columbia Symphony Orchestra, Vladimir Golschmann
1967
Joy to the World
Mormon Tabernacle Choir
1970
Chappaqua
Ravi Shankar
1966
The Sound of Music
Rodgers & Hammerstein
1959
Chansons parisiennes
Édith Piaf
1949
Mame
Jerry Herman
1966
The Bernstein Songbook
Leonard Bernstein
1988
The Reivers
The Reivers
John Williams
1969
The Oscar
The Oscar
Percy Faith
1966
Partita no. 5 in G major / Partita no. 6 in E minor
Johann Sebastian Bach; Glenn Gould
1957
Symphony no. 4, op. 60 / Symphony no. 5, op. 67
Symphony no. 4, op. 60 / Symphony no. 5, op. 67
Beethoven; Bruno Walter, Chicago Symphony Orchestra
1959
The Four Great Toccatas & Fugues
Johann Sebastian Bach; E. Power Biggs
1974
Complete Works Op. 1 - Op. 31
Complete Works Op. 1 - Op. 31
Anton Webern; Boulez, Harper, Rosen, Juilliard String Quartet, London Symphony Orchestra
1978
A 75th Birthday Celebration: Aaron Copland Conducts
Aaron Copland; London Symphony Orchestra, New Philharmonia Orchestra
1975
By Request
Wendy Carlos
1975
My Fair Lady
My Fair Lady
Lerner & Loewe
1956
Le nozze di Figaro
Le nozze di Figaro
Wolfgang Amadeus Mozart; Elisabeth Höngen, Sena Jurinac, Erich Kunz, George London, Elisabeth Schwarzkopf, Irmgard Seefried, Herbert von Karajan
1951
10 Intermezzi for Piano
10 Intermezzi for Piano
Brahms; Glenn Gould
1961
The Nine Symphonies
Beethoven; The Columbia Symphony Orchestra, Bruno Walter
1959
Camelot
Camelot
Lerner & Loewe
1960
Touch
Morton Subotnick
1969
The Real Ambassadors
Louis Armstrong and His Band / Dave Brubeck / Lambert, Hendricks & Ross / Carmen McRae
1962
Barber: Concerto for Piano and Orchestra, op. 38 / Schuman: A Song of Orpheus: Fantasy for Cello and Orchestra
Barber: Concerto for Piano and Orchestra, op. 38 / Schuman: A Song of Orpheus: Fantasy for Cello and Orchestra
Samuel Barber, William Schuman; John Browning, Leonard Rose, George Szell, The Cleveland Orchestra
1964
Masterpieces of Edvard Grieg
Edvard Grieg; Eugene Ormandy, The Philadelphia Orchestra, Leonard Bernstein, New York Philharmonic, Andrew Davis, New Philharmonia Orchestra
Suites for Harpsichord nos. 1‐4
George Frideric Handel; Glenn Gould
1972
Carmina Burana
Carl Orff; The Philadelphia Orchestra, Eugene Ormandy
1960
Le Sacre du printemps
Stravinsky; New York Philharmonic, Leonard Bernstein
2013
The Three Sonatas for Viola da Gamba and Harpsichord
The Three Sonatas for Viola da Gamba and Harpsichord
Johann Sebastian Bach; Leonard Rose, Glenn Gould
1974
Die Dreigroschenoper (Sender Freies Berlin)
Kurt Weill; Lotte Lenya, Wilhelm Brückner-Rüggeberg
1958
Piano Concerto No. 2 in B-flat major Op. 19 / Keyboard Concerto No. 1 in D minor, BWV 1052
Piano Concerto No. 2 in B-flat major Op. 19 / Keyboard Concerto No. 1 in D minor, BWV 1052
Beethoven, Bach; Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein
1957
Wishing You a Merry Christmas
Leonard Bernstein, Walter Carlos, Pablo Casals, Anna Moffo, Mormon Tabernacle Choir, Eugene Ormandy, Philadelphia Brass Ensemble, George Szell, Richard Tucker
1970
Transfigured Night / Fantasia on a Theme by Thomas Tallis
Schoenberg, Vaughan Williams; Strings of the New York Philharmonic, Dimitri Mitropoulos
1958
Flower Drum Song
Rodgers & Hammerstein
1958
The Virtuoso Brass of Three Great Orchestras Performing the Antiphonal Music of Gabrieli
Giovanni Gabrieli; The Philadelphia Brass Ensemble, The Chicago Brass Ensemble, The Cleveland Brass Ensemble
Stiletto
Sid Ramin
1969
Symphony No. 5 In B-Flat Major / Rosamunde, Op. 26
Bruno Walter Conducting The Columbia Symphony Orchestra
Ballades, op. 10 / Rhapsodies, op. 79
Ballades, op. 10 / Rhapsodies, op. 79
Johannes Brahms; Glenn Gould
1983
Symphony no. 2 in E minor, op. 27
Rachmaninoff; The Philadelphia Orchestra & Eugene Ormandy
1951
Studies for Player Piano
Conlon Nancarrow
1969
Symphonies 1 & 2
Symphonies 1 & 2
Beethoven; Columbia Symphony Orchestra, Bruno Walter
1959
South Pacific
Rodgers & Hammerstein
1949
The English Suites Complete
Bach; Glenn Gould
1977

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